Free Shipping Over $150 Lower 48 States Details

Palo Duro Baryta Fiber 300

Archive Grade Inkjet Photo Paper
This Paper is Acid Free
51 Reviews
Discontinuation Notice - The mill that makes Palo Duro Baryta informed us they will no longer make this paper.

We encourage you to consider Big Bend Baryta 310.

Palo Duro Baryta Fiber 300 offers all of the rich tonality, depth, and feel of a traditional wet darkroom fiber paper. It has a lightly textured semigloss surface, which adds depth and an elegant reflectivity to the finished print. Palo Duro Baryta Fiber is a pleasant warm white that adds natural richness to portraits and landscapes. Black & White images also benefit from Palo Duro Baryta Fiber's deep blacks and exceptional contrast. Use Palo Duro Baryta Fiber 300 for your final product to surpass gallery and museum expectations....continue reading below

Order More & Save. Read about your quantity discounts.
Archive Grade Inkjet Photo Paper
This Paper is Acid Free
Not sure which paper to buy? Take a look at our Paper Samples.
$22.95

Palo Duro Baryta Fiber 300 Details & Information

Description
Discontinuation Notice - The mill that makes Palo Duro Baryta informed us they will no longer make this paper.

We encourage you to consider Big Bend Baryta 310.

Palo Duro Baryta Fiber 300 offers all of the rich tonality, depth, and feel of a traditional wet darkroom fiber paper. It has a lightly textured semigloss surface, which adds depth and an elegant reflectivity to the finished print. Palo Duro Baryta Fiber is a pleasant warm white that adds natural richness to portraits and landscapes. Black & White images also benefit from Palo Duro Baryta Fiber's deep blacks and exceptional contrast. Use Palo Duro Baryta Fiber 300 for your final product to surpass gallery and museum expectations.

What is Baryta?

Palo Duro Baryta Fiber's whiteness comes from a special barium sulfate variant called blanc-fixe, which means permanent white. This material is in the coating. It is inert and lends stability to the paper's whiteness over time. The coating and base materials are free of acid, lignin, and fluorescent brightening agents. Palo Duro Baryta Fiber gives you all you need for true exhibition quality photographic prints.

Good To Know:
  • Archival grade materials
  • Baryta whitener layer (pure barium sulphate)
  • Lightly textured semigloss surface
  • Base stock is acid free, lignin free, and buffered with calcium carbonate
  • FOGRA Certified ISO 9706 (paper aging standards)
  • There are no markings or logos on the back
  • Back of this product is not printable
  • Pleasing warm tone
Specifications
Specifications
  • Paper Weight: 300 gsm
  • Thickness: 13.8 mil
  • Surface: Semigloss with light texture and medium reflectivity
  • Printable: Photo and art quality on coated side. Text and light graphics on back.
  • Coating: Microporous with baryta whitener
  • Color: Slightly warm white
  • Type: 100% alpha-cellulose base stock. Acid free, lignin free, buffered with calcium carbonate, FOGRA Certified ISO 9706 (paper aging standards)
  • Back: No markings or logos
  • Optical Brighteners: None
  • Roll Specs:
  • Core: 3" 
  • Outside Diameter: 4.5

Download product InfoSheet

Paper Weight Comparison Scale
Compatibility
Compatibility Guide
  • Epson with top paper tray or specialty feed: Yes*
  • Canon with top paper tray or specialty feed: Yes*
  • Epson wide format (roll): Yes
  • Canon wide format (roll): Yes
  • HP wide format (roll): Yes
  • Epson with front paper cassette only: NO
  • Canon with front paper cassette only: NO
  • HP with front paper cassette only: NO

* If your printer has a specialty media path, we recommend you use it with this paper. If you only have a top paper tray, you can use this product one sheet at a time. Please read our Tips for Feeding Inkjet Papers article for tips on printing with specialty paper stocks.

Printer Settings

Recommended printer settings. This link opens a new browser window

Printer Settings

Exploring Red River’s Palo Duro Baryta Fibre 300
When it comes to printing fine art and photographic work, there are so many beautiful papers and canvases to choose from. Over the years, I’ve developed a deep appreciation for different materials, each offering something unique to enhance an image. Satin finishes strike a balance, amplifying vibrancy and detail without the harsh reflections associated with gloss. As a result, photographs printed on baryta satin papers possess a unique liveliness, often feeling more immersive and engaging. The choice between matte and satin should ultimately reflect the desired emotional and aesthetic impact of the photograph itself. A Tactile and Visual Experience--find that Palo Duro Baryta Fibre 300 has an exceptional weight and feel, giving prints a substantial presence. Its thickness and stiffness make it easy to handle, reducing the risk of creasing or damage during printing and framing. At 300gsm, it has the kind of premium quality that fine art collectors and galleries appreciate. The subtle texture adds just enough character without distracting from fine details, making it an excellent choice for images that demand both sharpness and depth. Embarking on a comparative study of baryta satin papers opens a valuable window into the intricate world of archival pigment printing, showing how paper choices profoundly shape photographic expression. With a wide color gamut and rich tonal range, this paper brings out deep blacks and smooth gradients, making it equally suited for both black-and-white and color photography. Unlike some gloss and satin papers, it has a low-glare satin finish, offering richness without excessive reflectivity. I also find that its semi-gloss sheen provides a natural depth, making it particularly well-suited for professional framing. When placed under museum-grade glass, it enhances detail beautifully while maintaining its subtle shine. While matte papers have traditionally been the preferred choice in fine art and museum prints, offering a classic, glare-free presentation, satin finishes, particularly baryta papers, bring forward an alternative worth exploring. Satin finishes can imbue images with remarkable depth, vibrancy, and lifelike qualities, enhancing the visual experience in ways matte papers may not always achieve. A Refined Choice for Fine Art Prints For those seeking a paper that blends tradition with innovation, Palo Duro Baryta Fibre 300 offers a stunning alternative to matte. Its weight, texture, and print quality make it an excellent choice for fine art photography, delivering both tactile beauty and exceptional image reproduction. Whether for exhibition, sale, or personal collection, this paper enhances the impact of an image in a way that stands the test of time. After extensive testing with various fine art papers, I find Palo Duro Baryta Fibre 300 to be an outstanding choice for photographers seeking both archival quality and a striking visual impact. {i}Owner Note: Edited for clarity{/i}
Micheal MacEoghain - Mar 01, 2025
Not Sure Which Paper?

Not sure which Red River paper is best for you? Order a sample kit now and discover the perfect paper now. Free shipping on sample kit orders.

Need Expert Advice?

If you do not find what you are looking
for, just contact us by phone or email!

888-248-8774

CONTACT US

SUCCESS ON PAPER

Tom Croce
Photographer
"When does black-and-white photography evoke an emotional response?"

Palo Duro Baryta Fiber 300 Reviews

Rating Chart   4.9   51 Reviews

Nice, but sheets curl

Becky, Nov 08, 2025

This is a gorgeous paper. However, despite storing the box upside down as recommended, the edges of the sheets are curling upwards after a couple of months. When printing, the edges get caught inside my printer and misalign my image mid-print. This is creating lots of ruined prints and wasted paper and ink. I have not been able to resolve this, unfortunately, and I still have 35 large sheets left. My only option is to trim the sheets down just before use and only use it for small prints. I’m upset about this and will not buy again.

Red River Paper Replies....

We are sorry to hear about the curled sheets. We encourage everyone to contact us first before writing reviews for curled paper. Paper can curl - it is just part of the fun of dealing with the product - and we can offer ways to mitigate the issue. If that doesn't work, we'll replace the item. If, after that, a review still seems in order, then by all means write away!

Great Paper

Larry, Sep 20, 2025

I have been photographing for over 50 years with half that time processing my work in the darkroom. In the digital darkroom, I have come to appreciate the quality and feel of the Palo-Duro Bartya paper rendering images much like traditional papers - both in black and white and color. I highly recommend this paper.

Good, but order the Softgloss Rag 315 instead

Jeremy, Apr 02, 2025

This paper is pretty nice. It's a mid weight paper that is substantially better than the UltraPro products I have used from RedRiver. The texture is less pronounced than I expected. It does not really resemble a traditional fiber-based wet darkroom paper to my eyes and I print in the darkroom all the time with Ilford FB. This paper curls slightly after printing FYI. I would personally skip this and get the thicker, more premium feel of the SoftGloss Rag 315 paper, which I would rate 9/10.

Load More Reviews

Ask Us Anything! Powered by Humans