The Canon PRO-10 was announced in September of 2012 and is the successor to the Canon Pro9500 MkII. It is a 13" wide, ten color, pigment-based photo inkjet printer. Pigment inks provide fade resistance from 40 to 100+ years, depending on the media and display conditions. Photo enthusiasts who want the "better than a lab" print experience and long print life should consider the PRO-10 when making a purchase.
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Just the Facts
13" wide photo quality inkjet printer
Print 4" x 6" up to 13" x 26" banners
Borderless sizes limited to those set by the factory
Maximum paper length is 26.61”
11x14 not on that list
10 Pigment-Based Inks - Cyan, Yellow, Magenta, Photo Black, Matte Black, Gray, Photo Cyan, Photo Magenta, Red, Chroma Optimizer
Estimated Retail Price $699
Ink Cost - About $16.99 per tank retail
Standard Ink Tanks - Holding about 13mL of ink each
Opening the Box
The Canon PRO-10 box arrived in good condition. The contents came well packed with all of the accessory pieces stored in separate bags. The printer was in its own heavy-duty plastic sack with handles, making removal quite easy. After plugging in the printer, the quick start guide got us started in a few simple steps.
The Canon PRO-10 shipping box includes:
- Canon PRO-10 printer
- CD/DVD Disc Printing Tray
- Manuals and other documents
- Setup CD-ROM
- Setup Ink Tanks
- Power Cord
- Print Head
- USB Cable
Canon Pixma Pro-10 Inks
The printer comes with a full set of PGI-72 ink cartridges. A small amount of ink is used in the printer setup, but you will still have plenty left to make prints and become familiar with the machine.
Anatomy of a Canon ink cartridge
A - Bottom of ink tank and ink outlet.
B - Ink reservoir.
C - Onboard chip. The chip records nozzle firing data sent from the printer and subtracts the volume to track remaining ink level. The system is very accurate, and you will indeed see a dry tank when it comes time to do a replacement.
The PRO-10 print head / ink cartridge assembly comes in a separate sealed bag. A large orange plastic cover must be removed to reveal the head (see at right). Installing the head and inks into their carriage is simple, and it takes about a minute.
Close inspection of the print head reveals the amazing technology packed into inkjet printers. Each of the ten dark lines on the head represent thousands of nozzles. Each nozzle aims and fires in sync with those around it placing ink onto the paper at a precise location. Amazing!
Once installed, a light on the front of the ink cartridge illuminates and glows steady red. The same light blinks slowly when you're low on ink and quickly once the tank has been depleted.
Canon PRO-10 Ink Tanks Included
- PGI-72 Matte Black
- PGI-72 Photo Black
- PGI-72 Cyan
- PGI-72 Magenta
- PGI-72 Yellow
- PGI-72 Photo Cyan
- PGI-72 Photo Magenta
- PGI-72 Gray
- PGI-72 Red
- PGI-72 Chrome Optimizer
Getting Ready to Print on the Pixma Pro-10
Once all of the inks were installed, the printer charged up and was ready in less than five minutes.
The printer requires an automated print head alignment sheet to be printed before moving forward.
The assembled printer is 27.2" wide, 15.2" deep, 8.5" high, and weighs 43 pounds.
You'll want at least 10" of clearance from the back of the printer to the wall for proper operation and use of the rear paper feed.
When fully extended, the front paper tray extends 12.5" from the front of the printer.
Front Control Panel
The front control panel of the PRO-10 consists of three controls:
- Power button with light
- Resume / Cancel button with warning light. Errors will be identified by different sequences of blinking. Consult your online manual for help with decoding the sequence should you have a problem.
- Wireless connectivity button with indicator light
The PRO-10 can connect to your computer via USB 2.0, wireless network, or ethernet.
The PRO-10 has two media feed paths and a CD/DVD printing tray
- Rear tray - for the majority of media you'll use
- Manual feed - single sheet tray for heavy and specialty media
Canon notes that the recommended paper capacity for the rear tray is 20 pages for 4" x 6" and 5" x 7" photo media, 10 pages for letter and 8" x 10" photo media and a single page for larger sizes. A single page is also recommended for Fine Art papers.
We conducted tests using a variety of Red River Paper media in the PRO-10. The rear tray can support up to 50 sheets, depending on the thickness of your paper. Photo papers like luster, satin, and glossy at 10.4mil thickness are expertly handled by the PRO-10 with no misfeeds. Photo weight and lighter matte papers also fare well in the rear tray. If you're using thick media, above 11mil, you’ll have better luck feeding one sheet at a time in the rear tray. Fine art stock, canvas, specialty media, and paper over 14mil thickness will work better when fed into the manual single sheet path.
For some driver media settings, the printer will only allow the manual feed path to be used. These settings include:
- Fine Art “Museum Etching”
- Other Fine Art Paper 1
- Other Fine Art Paper 2
- All Hagaki settings
CD Printing Capability
Above you can see the CD holder that comes with the printer. The holder is placed into a front slot on the left side of the machine. Please note that you'll need specialty CD or DVD media coated for inkjet printing.
Canon's My Image Garden software is provided to set up and print discs.
Print Speeds and Results
The Canon PRO-10 produces photo quality typical of today’s inkjet technology - what we would describe as continuous tone. This means that when you are printing a typical photograph, the dots of ink that make up the photo are not visible at normal viewing distance. This is especially true when printing on satin, luster, and glossy media. Solid blocks of color are uniform and smooth looking. Only in some mid-tone areas will you occasionally see a few dots. Again, one would need to be unnaturally close to the print to see them. So from a detail and tonal reproduction standpoint, the PRO-10 produces outstanding photo quality.
Profiles & Color Reproduction
During testing, it became apparent that using an ICC printer profile greatly improved output – both the color fidelity and tonal transition. Prints on luster, glossy, matte, Baryta, and cotton fine art paper all showed the same trend. Printing without a profile yielded decent results, possibly good enough to satisfy viewers not familiar with the original file. When compared to a print made with a profile though, any viewer will likely point to the profiled print as considerably better. Now this is not a bad thing. Serious print makers know profiles exist to produce the best possible quality from a printer / ink / paper combination. They also provide the confidence to know that on-screen edits will be reproduced as close as possible on paper.
However, we noticed how certain colors looked slightly over-saturated - deep blue skies and intense green foliage in particular. Our guess is that Canon rightly tried to make PRO-10 output more saturated and lively than its predecessor, the Pro9500 MkII. Perhaps they overshot a tad. If you happen to see and agree with our opinion, correction is simple with some edits to a file.
An 8" x 10" file at 240ppi (shown above) was printed and timed using the settings listed below:
|8" x 10" image on 8.5x11 paper||Time in minutes and seconds|
|Luster Paper Highest Quality (Level 1)||7:10|
|Luster Paper High Quality (Level 2)||3:37|
|Luster Paper Standard Quality (Level 3)||2:29|
|Matte Paper High Quality (Level 2)||4:49|
|Matte Paper Standard Quality (Level 3)||3:38|
|4" x 6" image on 4x6 paper (borderless)||Time in minutes and seconds|
|Luster Paper High Quality (Level 2)||1:41|
|Luster Paper Standard Quality (Level 3)||1:12|
We printed the target file on UltraPro Satin and 47lb. Premium Matte using the Photo Paper Pro Luster and Matte Photo Paper media settings, respectively. The prints were allowed to dry eight hours before being evaluated under balanced 4700k Solux lights.
When viewed at normal distance, each print showed similar saturation and color balance. However, areas of solid color and tonal transition (such as skies and flower petals) at Standard quality were clearly inferior to the other quality settings.
Closer inspection of the Standard quality print revealed a slight reddish cast in skin tones and slightly cooler tone in gray scales.
Additional differences between Standard settings and higher quality settings are edge definition and clarity. You can see the difference in these macro shots below.
There is little difference between Standard quality (Level 3) and the higher quality prints (Level 2 and 1).
On the other hand, it is much more difficult to find differences between Level 1 and Level 2 quality prints. Slight variations in dot placement and areas of fast tone change are evident upon very close inspection. Viewed at reasonable distance, the differences have all but vanished. Please note, the Level 1 setting is only available for select photo glossy and luster media settings.
Our conclusion is that Level 2 High print quality is the best setting for most print jobs. We'd switch to Standard quality (Level 3) for proofing and everyday photo sharing projects.
Black & White
The Canon PRO-10 features a specialty Black & White function, combining black, gray, and spare amounts of other colors to make grayscale images. Black & White tests consisted of the 8x10 test image printed using the driver's B&W feature. The file was printed from Photoshop set to "Printer Manages Color". The PRO-10's driver has three pre-set Black & White modes - “Black & White”, “Cool Tone”, and “Warm Tone”. We made a target print using each setting. After drying for eight hours, the prints were evaluated under balanced Solux light. The results are noted below:
Black & White - neutral grays with little or no color cast
Cool Tone - a very slight shift to blue and a cooler look
Warm Tone - a light but noticeable warm shift with a slight yellow tone
In the end, we preferred the Cool Tone setting which gave the print a bit more contrast and depth.
Black & White tonality can also be controlled via X and Y variables, slider bars, or by placing your mouse inside the “Tone box”. See image above.
Brightness settings include normal, light, and dark. Intensity and contrast are sliders allowing for finer adjustments.
All of these adjustments will be "previewed" using a standardized sample image. The drop down menu below the pencil photo at right allows you to choose different preview samples. What actually happens on your printed image may be different. We suggest being judicious with changes and make small test prints when getting started. p>
Overall, we were pleased with the results. You will benefit from well prepared files, which means proper exposure as well as some additional mid-tone contrast. Both are helpful in adding the proper amount of intensity and life to black & white print.
Canon Pro-10 Printer Driver Tour
Quick Setup Tab
The Canon PRO-10 printer drivers are basically unchanged from previous PRO printer models. We're starting on the Quick Setup tab, which contains most of the controls you'll need for printing.
From this menu, you can choose the media type (paper type), paper size, print quality, and other important features.
We recommend using this screen as much as possible as it gives you access to the custom print quality and manual color controls.
When setting up a print job, you must tell the printer the type of inkjet paper (media) that you are using. Think of the media type as part color profile and part ink throttle. Different inkjet papers need different amounts of ink to perform properly - and this is where the media setting becomes important.
If you are using ICC color profiles, the media type is critical. You have to set the media according to your profile's instructions in order to get the best results.
Note! You will not see alternative paper brands, such as Red River Paper, in this listing. Only manufacturer inkjet media options are in this drop down.
Fine Art Margins - If you choose a fine art or non-Canon specialty media type, the printer driver forces a 30mm (1.18") margin to the top and bottom of your print. The left and right margins are set at 3.4mm (0.13"). The media settings also limit the available paper size you can use to:
- A3+ 13x19
The feature is most likely an attempt to minimize possible head strikes at the beginning and ending of a print when using "fine art" papers. As a result, Red River Paper and other paper companies have chosen to make their fine art printer profiles with the Matte Photo Paper setting, which avoids the size and margin constraint.
Print quality can be controlled from the Quick Setup and Main tabs.
On either the Quick Setup or Main tab, quality settings of Standard and High are available when using photo quality media.
To access the custom quality menu, go to the Main tab, click on the Custom radio button, and then click Set. A slider controls the print quality setting. Level 2 corresponds to High and Level 3 to Standard quality. You will also find a third quality choice, the Level 1 setting. Canon has not given this setting a named label. We will call it "Highest" for the purposes of this review.
Only glossy, semigloss, and luster media settings have Highest quality as an option. Lower quality settings, such as Fast (Level 4), are available when plain paper or envelope media are selected. You would choose this setting for text and light graphic printing.
Color / Intensity