Red River Paper Blog

You may think think your monitor is accurately displaying the exact colors that are in your image file, but it may not, leading to prints with disturbing color casts. Here's how to fix that problem....read more

Many Red River Paper users complain that increasing the size of their images often produces a print that’s blocky and blurry. New Artificial Intelligence (AI)-based software is changing that. But first, let’s review some of the basics of image enlargement....read more

There’s a difference between planning a weekly date night and planning a wedding. Likewise, printing a recipe on play 8 1/2" paper and printing your artwork on card stock are very different....read more

You have a computer. You have a printer. Isn’t that all the tech you need to share and sell your work in your shop, on Etsy, or in galleries? Not exactly....read more

Summer is upon us once again and here are some tips and product snippets to help you get back into the swing of things. Let's talk mice, monitors, ink, light, calibration and more....read more

By Al Warfield– After you’ve gone to the effort of taking the perfect shot, making the perfect print, and choosing the perfect frame, why spoil your image by framing it under glass?...read more

By Peter E. Randall— Based on nearly sixty years of experience, I believe there are two major elements to photography. First step, making of an image. Second step, to display the work....read more

By Suzanne D. Williams— Light is the key element in every photograph and having an understanding of it is essential to becoming a good photographer. Relying on your camera’s automatic settings will at some point become a hindrance because these settings can be misleading. The camera does not always make the correct choice. Instead, you,...read more

By Albert Chi— 1. Avoid wandering aimlessly around looking for good pictures to shoot. Always give yourself a mini-assignment to stay on track. Like, street vendors, kids at play, people at bus stops,  interesting doorways, afternoon shadows, and so on. That way, you have a direction in which to go and the challenge of trying...read more

By Michael Freeman— One of the first tenets of professional photography is that you have to try harder, always and all the time. There’s almost too much said about this, so I’ll restrict myself to one only, from American photographer William Albert Allard: “You’ve got to push yourself harder. You’ve got to start looking for...read more

By Christine Pentecost– I’ve always been intrigued by photos of flowers on pure black backgrounds, so last summer, I decided to do some  black box photography, using an abundance of mountain wildflowers blooming around our Montana homestead as subjects. I began by making a box that had four sides: right, left, top and back (no...read more

By Joel Grimes– Part of the requirements for receiving a BFA in Photography from the University of Arizona included half a dozen semesters of art history.At the time I felt like this was overkill and was only interested in attending my photo-related classes. In hindsight, one of the greatest influences that shaped my personal vision...read more

By Christine Pentecost– Digitally restoring old and damaged photos and bringing them back to life has been a very rewarding and challenging hobby for me over the past 15 years. I have restored photos from the late 1800s that were mounted on cardboard, to Polaroids from the 70s, and to photos ravaged by Hurricane Katrina’s...read more

By Suzanne D. Williams– We’ve all done it, taken that endless stream of holiday photographs with the same people doing something, only we can’t exactly tell what. Then there’s the familiar, “Oh look at the tree!” only it’s slightly blurry and the top is missing. Sound familiar? Who doesn’t have similar Christmas and other holiday pictures...read more

By Arthur H. Bleich– If you currently sell (or would like to sell) prints of your best work here’s a technique I’ve used successfully to assure buyers that if they resell my photographs some day it can be proven that they are genuinely mine and not unauthorized copies. I began doing this a few years ago...read more

By Tim Grey– In many cases a print will not reflect the full level of shadow detail as actually exists in the image file. Instead, that shadow gets “blocked up,” similar to the way shadow detail gets clipped in an exposure that is too dark. You can compensate for this issue by essentially brightening the...read more

By Arthur H. Bleich– In the early days of amateur photography, enthusiasts were always being warned to “keep the sun at your back” because films were slow and  needed lots of light to record a decent image. But before photography became the beloved hobby of the masses, Victorian studio photographers had discovered that the best way...read more

By Arthur H. Bleich– In 1966, Richard Baker aimed his M-16 at the Vietnamese; today he uses an arsenal of analog cameras to shoot them. His goal is to photograph all 54 ethnic tribes in the country where he was once sent to fight. Now 68, the twice-wounded Army veteran has been back to Vietnam...read more

   By Arthur H. Bleich– Chances are you already know about different post production work flow techniques that can be used in Photoshop and/or Lightroom after you’ve shot your pictures. But it’s equally important to establish a workflow you can follow before you even make the shot. Here are nine things you should think about before you lift...read more

By Tim Grey–  Variability. I am often asked whether it is best to use a full backup solution where the backup is replaced each time you perform a backup, or an incremental backup where only changes made since the last backup are copied. My answer is to use both of these approaches. There are advantages...read more